Showing posts with label Master Switch. Show all posts
Showing posts with label Master Switch. Show all posts

Saturday, January 29, 2011

Living in Gibson's Future? Close Enough to Be Scary.

Location: Midpoint of Boston-Atlanta Metropolitan Axis
image credit: Barclay Shaw

The students in my first-year seminar may not understand, for a book published before they were even born, how William Gibson's Neuromancer not only shook up the genre of science fiction but also helped spawn a revolution in how those building the Web and its applications regard information

When I created a Second Life account in 2007, I left it an open question, in the "first life" tab for the avatar, as to whether Gibson's future would be realized in SL. Now I have the feeling that my question needed a broader scope: has Gibson's future been realized in both the worlds of, to use his dichotomy, meat and mind? If anything SL tries hard to be Gibsonian but fails: no one is as immersed as Case is in the novel, nor, for that matter, Molly and Armitage in their own part of futurity.

Mostly, however, Gibson got things close enough to scare me. As Egypt's government shuts down Internet access and cell-phone services, I recognize an eerie parallel to Wu's idea of a Master Switch that did not exist in 1984, when Neuromancer appeared. Gibson envisioned a more open Net than we have or that Wu believes we might get, but Gibson conceded that the "spiral arms of military systems" (52) would be forever beyond the reach of loners like Case.  They still are.

Yet using free public software, a million disenfranchised loners have united to topple Egypt's government, and at the time of writing this they may get their wish.  The keepers of those spiral arms, the Egyptian government, like their counterparts in Iran a few years back, know that their foes need cell telephony and Facebook to organize.

The rest of the world can only sit back and watch the chaos and, in Saudi Arabia, the government may be patting itself on the back for shutting out Facebook not so long ago.

But if Gibson were actually prophetic, then other aspects of his future should be closer to our door than the streets of Cairo.

Zaibatsus and Archologies

Put a Fuller Dome over many exurban gated communities in the US and Western Europe and you'd have the residential component of Neuromancer's way of life for the megacorporations: happy corporate employees going to their desks and conference rooms to plan and build a world to maximize a company's return on investment. Shopping and entertainment are only at a small remove, along the suburban sprawl, from the home cocoons. Only cheap oil has meant that workers drive to various destinations, instead of living and working and shopping together in the same place.


What would an arcology look like? There is one very Gibsonian building at the Web site of Yanko Design.  Called NOAH (New Orleans Arcology Habitat) it evokes the end-times of a next Big Storm and the sense of heroic futurism that the megacorps might project in a post-governmental world.  The comments on the proposal fascinate me: techno-dread and triumphalism characterize the remarks.

Following the logic of governmental minimalists and libertarians in the United States, whose voices are loud these days, a future where self-defining communities evolve into self-governing ones may not be so far-fetched. At the consensual level, it may already be as close as one's neighborhood covenant.

But the coming of Corporate Man (and Woman) has concurrently meant an increased stratification of wealth in US communities. Bruce Sterling once quipped that the 1980s dawned not only as the first American decade that seemed like science fiction but also a return to a neo-Victorian world with social-Darwinist conditions for citizens. How did that vision, crystallized in Neuromancer, pan out?

What follows is less critical than it might seem. In fact, as I'll note, I'm not sure it's ever been otherwise, except for its sheer scale. In 2007, the 1% of American citizens controlled 43% of financial wealth and 35% of net worth. The title of the report where I gathered this, "Who Rules America," gave an ideological slant that made me a little doubtful about the lack of bias by Professor Domhoff, so I found another source.

The US Census Bureau's report,"A Brief Look at Postwar U.S. Income Inequality" paints a picture not unlike Dumhoff's:
The long-run increase in income inequality is related to changes in the Nation’s labor market and its household com- position. The wage distribution has become considerably more unequal with more highly skilled, trained, and educated workers at the top experiencing real wage gains and those at the bottom real wage losses.
There's more at the Census Web site. I become a little less convinced, then, that Dumhoff is riding a hobby horse of leftist angst. One should pause before numbers like these from Domhoff: "Of all the new financial wealth created by the American economy in that 21-year-period, [1983-2004] fully 42% of it went to the top 1%."

Even so, the distribution of wealth before 1983 was not one of which I'm proud, given my belief that a large and politically active middle-class of property owners, such as all those returning GIs in 1945, can be an excellent shield against the sort of governance (and lack of it) Gibson portrays.   Citizens like the GIs who built the neighborhood were I now live, of modest ambitions and demeanor, have historically been  eager to protect their families and thus they've supported strong policing and orderly neighborhoods. Except for the turbulence of 1968, America has never had Egyptian-style chaos in the streets: Egypt has no middle class any longer, by all accounts.

Sadly, after 2008 and the financial meltdown, many more Americans have been thrown out of our middle class. Each foreclosure and failed company could take us a step closer to a neo-Victorian form of income inequality that characterizes Cyberpunk's view of the future.  And I doubt that all of the millions of dispossessed will leave their bank-seized homes peacefully. 2011 may be an interesting year.

Console Cowboys

But housing, like travel to Case, is a "meat thing." On the mind front, the lone cyber-cowboys of Gibson's world have not emerged. Wikileaks' revelations took a team of dedicated "hacktivists" to accomplish. At the same time, another aspect of current hacking comes straight from Neuromancer.

The cyber-attack on Iran's nuclear installations may have set back the nation's bomb-building program for some time. In a world like Gibson's, a zaibatsu might have stopped a rogue nation, given the failure of the US and Soviet governments after Operation Screaming Fist.  In our actuality, Israel and the US and who knows else might have launched the attack.  Thus we've moved further along than Gibson's world, technologically.

The Soviet computer centers Armitage mentions had to be attacked with Special-Forces hacker-operatives sent in on microlight gliders. In our world, Iran's systems are tied to the global Internet. So are ours, and both China and the US are quietly jockeying, behind the scenes, to develop cyberwar teams. If our nations ever go to war, Internet services and all its dependent systems--power grids, air-traffic systems, banking--will become legitimate domestic targets.

Street Samurai

On the "meat" front, our Molly might be named "Mike."


Burly men doing legitimate (and, at times, dirty) deeds for whatever Blackwater is now called, and firms like it, does not quite have the sex-appeal of Gibson's razorgirl.

At the same time, for this reader it would have been impossible in the early 80s to imagine Mercs, and that is what all "private security contractors" are, Mercenaries, enjoying the cultural acceptance they now enjoy. Many of my fellow citizens get a bit queasy on this subject, but for the past decade the US government has relied on Mercs to do jobs we do not wish to task to our armed forces or that require manpower we simply do not have in uniform without drafting college-aged kids.

In the 80s, except for Soldier of Fortune readers, the use of mercenaries by our government would have stirred widespread outrage. Now, if I may risk a generalization, with a 24/7 new cycle the attention of the public appears to move faster than it did 26 years ago, to the latest tragedy, scandal, or political circus.  Meanwhile, private security companies have limited accountability to US or international law. They are true Gibsonian figures of the "interzone where art wasn't quite crime, crime not quite art" (44).  Put in "law" for "art" and you have our situation.

Meanwhile, poor Molly. I don't think Gibson meant her to become a meme, but she has.

I'm glad we don't have razorgirl mercs walking the night cities of our world, but Molly can be found elsewhere: she's the badass sex-object of a hundred video games and action / adventure films. Hollywood understands male lust for these tough babes with guns and blades. Molly scares and attracts the boys, and I'm sure that more than a few male readers empathize with Case when he gets to enjoy her pleasures.

Naturally, one recent attempt to cast a film based upon the book would have featured Milla Jovovich as Molly: Resident Evil's killer star would get to put on the mirror eye-inserts. It's that way in any number of films or games where the strong woman is just as much a sex object as any gatefold playmate.  As my students will see when they get further into the book, there's that dark and disgusting desire out there to have a "meat puppet."  That technology is perhaps the most frightening of the book and, like organ-markets and stim-sim sets, it remains possible but not part of our lives.

We have Microsoft as a multinational, not microsofts that one puts into a skull-plug to learn a new skill. And the best we can do for Stim-Sim is the current 3D craze. Merge it with a Wii or Kinect, and we may approach something like watching through Tally Isham's eyes in her latest episode.

Better Living Through Bioengineering?

When students on campus trade Ritalin to do better on exams, yes, we live in a cyberpunk world. My students are afraid of our "street" and, whipped up the ladder by well meaning parents and educators like me, do their best to avoid it whatever the emotional cost.

At least, if any of us do wind up on the streets with between two and three million American homeless, we do not have to cope with illegal dealers in pituitary glands or black clinics in the worst part of town, ready to roll us for our kidneys.


In scope if not depth, Gibson was spot on about the culture of body modification, when teens have elective cosmetic surgery and their parents get Botox regularly. A single earring was a novelty on a man in 1984, and potentially a dangerous one. Now tats and piercings are common.

A dermatologist, who helped my mother with a degenerative eye disorder that required a monthly Botox injection, told me he'd given up on really iffy surgery that could land him in court. Instead, his income came mostly from vanity, that ready fix of Botox to keep the bathroom mirror lying to his patients every morning.

Verdict: Close Enough to Scare Me

Image Source: Unknown

In the end, we don't, and probably never will, have orbiting colonies of Rastas or French spas run by a maniacal and inbred family. I doubt that our planet has enough fossil fuels that are cheaply available to sustain enough wealth to make dreams like Richard Branson's, of cheap space tourism, happen. If I'm wrong, I'll be too old to get the ride to orbit I've wanted since I saw a Gemini launch in the mid 1960s.

In other regards, however, I'm happy to say that Gibson got a great deal wrong. May it continue to be so, because what he predicted correctly has been frightening enough.  Ours is a harder-edged world than it was in 1984, when the Cold War raged on.  And the technologies of interconnection empower lots of individuals. Al Quaeda, not the Panther Moderns, uses the Internet but the violence engendered is still the stuff of nightmare.

So, Bill, thanks for all of the bad dreams. You really invented a genre and, in some ways, a world.

Work Cited:

Gibson, William. Neuromancer. New York: Ace, 1984.

Wednesday, January 12, 2011

Wu's "Cycle" and Founding Moguls

Location: Using Google's System to Talk About It

This post begins a series to coincide with my Spring 2011 course, Cyberspace: History, Culture, Future.

We begin the class reading Tim Wu's The Master Switch: The Rise & Fall of Information Empires. I've loved Wu's narratives about the "defining moguls" in various industries. In my title I misused the term "founding" and that is not exactly apt. Such men may not found an industry but they do bring it to its apotheosis.  It's not accidental that Howard Hughes, whose company defined modern aerospace, continues to inspire Hollywood enough to get The Aviator made and released.

Such figures used to be called "Titans of Industry" in prewar America.  Either way, the metaphor is apt: Mogul emperors and pre-Olympian gods had one thing in common with these modern men: mere money has never been the primary goal or motivation. They are, Wu, insists, "a special breed" among the alpha-males and (today) alpha-females of our technocracy (29).

The mogul or titan of old desired power and domination, and their modern counterpart, "like a man who tastes combat for the first time, discovered his natural aptitude for industrial warfare" (Wu 29). No small wonder that they so interest Nietzschean me. I admire such fellows even when I dislike them: Steve Jobs made possible the amazing MacBook on which I compose this post. He also has a scorched-earth style of management that would make Kublai Khan nod in approval. Moguls are often brutes (and the titan Saturn ate his own children to avoid being deposed by one of them).

Adolph Zukor's and Mark Zuckerberg's names roll off the tongue, the similarities in vowel-sounds mimicking the same will to power that these men  brought to their innovations. Both Paramount and Facebook define a certain age of media. Competitors quake.

Then, of course, there is the fall of the Titans. In surveying the history of technology, it is common to find founders with Shakespearean flaws and, quite often, trace what began as heroic competition ending  in complacency, decadence, even madness. Aviator and Aerospace-industry legend Howard Hughes stands before me, an obsessive old man so terrified of germs, some urban legends say, that he put empty Kleenex boxes on his feet as he shuffled around his penthouses in various the Las Vegas hotels. Thus is the fate of many with imperial visions.

If any Second Life readers are still with me, I think you know who I'm talking about.  For my students, the question becomes this: what happens when a founder tries to build a system out of a disruptive technology?

Zukor managed to corral and cow the independent filmmakers and theater-owners who successfully battled The Film Trust. Out of that victory, Zukor and other winners made his system: we still use the world "Hollywood" to mean not just a place but a content-creator that is monolithic and quite often stodgy. Consider how every formulaic superhero film resembles the previous formulaic superhero film. We can thank Zukor and his peers for this.  But we can also thank them for some unforgettable moments in cinema: Ben Hur's chariot race, Dorothy's trip to Oz, A Streetcar Named Desire's heart-rending portrayal of Blanche DuBois by Vivian Leigh.

As for Facebook's Zuckerberg, it remains to be seen if his social network can become a fully fledged operating system for users, in the way that Google seems to be evolving. If so, we could have a ringside seat for a battle of systems, one that will influence our lives as much as the ascendancy of the Hollywood Studios, Microsoft's Windows OS, or Detroit's Big Three automakers.

Update  Jan. 13: I've clarified Wu's term for these men and added a properly MLA-cited direct quotation from Wu to add emphasis to my point (and to demonstrate proper integration of sources to students). Note to students that the first citation of Wu does not need his name with the page number; I already made clear the source's name. The second citation does take the page number because the source is not yet clear.  The same rules apply for paraphrase.

Work Cited:

Wu, Tim. The Master Switch: The Rise and Fall of Information Empires. New York: Knopf, 2010.